Coppelia essays

Coppelia essays Some ballets get better with age. The romantic ballet Coppelia has an inbuilt scope for innovation. It remains fresh because of the wonderful music, clever, sometimes sublime choreography, the strong narrative, and the infinite variety of dolls that can be introduced into doctor Coppelius workshop in the second act. The costumes, sets and character development of Swanhilda, Franz The roots of classical ballet go back to renaissance Europe (1300-1600) in the palaces of Italian princes and dukes. Court Ballets (Ballet De Cour) were presented during elaborate banquets, festivities and celebrations. Steps and movements were based on social dances of the day and were more elegant versions of folk and peasant dances. This can be seen in the third Act with Arthur Saint Leon (the original choreographer) including an adapted version of a csardas a Hungarian folk dance, into the ballet. These court ballets usually ended with performers and audience members dancing together. Ballet started as relaxed social celebrations and then became more professional and distant from their audience. But during the first half of the 19th century romanticism swept across Europe and changed the world of ballet forever. The romantic period came about during the industrial revolution for people to escape the harsh realities of life. People suffered badly during the wars and therefore t he romantic period offered color, fantasy, fairytales and folk legends for society to follow. "Coppelia" was developed in 1870, at the height of the Franco-Prussian war. It was the last new ballet presented, before the closure of the Opera in the siege of Paris. Hence, it was developed to reflect the rising tide of French nationalism. It was a ballet for the people, of the people. As such, it borrowed...

Chicago Referencing †Repeat Citations - Proofeds Writing Tips Blog

Chicago Referencing – Repeat Citations Chicago Referencing – Repeat Citations If you have a useful source text, you’ll often want to cite it more than once in your work. But the Chicago Manual of Style has specific rules for doing this, so you need to how it works! Here, then, is our guide to repeat citations in Chicago style referencing. Consecutive Repeat Citations In Chicago footnote referencing, when you cite the same source twice in a row, you can use the Latin abbreviation â€Å"ibid.† This literally translates as â€Å"in the same place.† If you are citing exactly the same page as before, you can use â€Å"ibid.† by itself. If you are citing a different part of the text, you should give the new page number(s), too. For instance: 1. Alan C. Jenkins, Wildlife in the City: Animals, Birds, Reptiles, Insects and Plants in an Urban Landscape (London: Holt Company, 1983), 13. 2. Ibid. 3. Ibid., 102. Here, page 13 of Alan C. Jenkins’ Wildlife in the City is cited in footnotes 1 and 2, while page 102 is cited in footnote 3. This saves us from writing out the full source information each time. Non-Consecutive Repeat Citations What, though, do you do when you need to repeat a citation after you’ve cited another source? In this case, Chicago referencing uses a shortened footnote style. These shortened footnotes should include: The author’s surname The page(s) cited Non-consecutive citations of the same source would therefore look like this: 1. Alan C. Jenkins, Wildlife in the City: Animals, Birds, Reptiles, Insects and Plants in an Urban Landscape (London: Holt Company, 1983), 13. 2. Esther Woolfson, Corvus: A Life with Birds (London: Granta Publications, 2008), 234. 3. Jenkins, 102. If you have more than one source by the same author, however, you should also include a shortened version of the title. This will ensure the reader knows which source you’re citing. For instance: 1. Alan C. Jenkins, Wildlife in the City: Animals, Birds, Reptiles, Insects and Plants in an Urban Landscape (London: Holt Company, 1983), 13. 2. Esther Woolfson, Corvus: A Life with Birds (London: Granta Publications, 2008), 234. 3. Alan C. Jenkins, Introducing Cats (London: Spring Books, 1958), 24. 4. Jenkins, Wildlife in the City, 102. In this case, footnotes 1 and 4 point to the same source, while footnote 3 is another source by Jenkins. Author–Date Citations Chicago referencing also has an author–date system, which uses in-text citations. To reference the same source more than once in this, all you have to do is give the same citation again: Alan Jenkins (1983) describes how birds of prey survive in urban settings. He says that peregrine falcons are a â€Å"spectacular example of adaptive behavior† (Jenkins 1983, 13). All you need to do with repeat author–date citations, then, is make sure they are consistent!